Why Do I Carve American Chestnut Wood?

Published January 17, 2020

American chestnut wood and its root are represented in this carving by Gary, titled “Nuthatch Antics.”

When people see my work, they usually ask me about the woods I use for carving.  They want to know which wood is my favorite.  I tell them my favorite is American chestnut wood.  I also tell them that a person must be crazy to carve American chestnut. That elicits a quizzical look until I explain.

American chestnut wood is ring porous. Each annual ring has a layer of porous spring growth and a summer growth layer with few pores. That gives chestnut a beautiful grain pattern. But carving tools tend to dig into the porous layer and carving details in the porous layer is tricky if not foolhardy. Also, chestnut wood can split easily (think twenty-foot-long split rails for fencing).  I have often had to reorient a bird head or glue a piece back on. Finally, recycled chestnut wood (or any other recycled wood) is non uniform. Some areas of an old beam are harder or softer, some are more brittle, and often there is internal insect damage.

So why do I carve chestnut wood? Because of its natural beauty and the challenge. Plus, American chestnut and its restoration is one of my passions.

Click here to read an article about Gary’s carvings that was published in a local MD newspaper. To see more of Gary’s carvings, visit his website.

 

Sara Fitzsimmons in 2005 with Jim Gage, Dr Phil Arnold, Dr Robert Gregg

2005
Sara Fern Fitzsimmons with Jim Gage, Dr Phil Arnold, & Dr Robert Gregg

2006, Sara Fitzsimmons pollinates at Stockers

2006
Sara pollinating at Stockers, PA

Sara rating cankers at Thorpewood

Sara rating cankers at Thorpewood, MD

Sara at the 25th Annual TACF meeting

2008
Sara at the 25th Annual TACF Meeting

Sara and the Graves tree

2009
Sara in the PSU Graves Orchard

Sara Fern Fitzsimmons in the Glenn Swank stump, 2009

2009
Sara in the Glenn Swank stump, PA

Sara at the International Chestnut Symposium, 2012

2012
Sara at the International Chestnut Symposium

Sara in Vermont

2014
Sara with Harmony Dalgleish and the Berlin American chestnut in Vermont

Kendra and Sara in the field

Sara and Kendra Collins working in the field

Sara presenting at the 2022 TACF Spring Meeting

2022
Sara presenting at TACF’s Spring Meeting

Sara (in the rocker) with TACF staff at the Fall Meeting

2023
Sara (in the rocker) with TACF staff at the Fall Meeting

Sara Fern Fitzsimmons

2024
Sara in the Penn State greenhouses